by Catherine Schofield Sezgin
Forty years ago yesterday three men robbed the Montreal Museum of Fine Arts -- they have never been caught and 17 of the paintings have never been found.
When three men stole 18 paintings by such well-known artists as Rembrandt, Corot, Courbet, Breughel and Millet from the Montreal Museum of Fine Arts on September 4, 1972 it was the largest art theft in North America. The thieves have never been arrested for this art heist and the pictures remain missing but it was not the perfect crime. The setting off of an old security alarm scared the thieves off and prevented them from stealing more art. And the attempt to ransom back the loot, which also included 39 pieces of jewelry and decorative art, failed.
One of the difficulties of describing the robbery of the Montreal Museum of Fine Arts in 1972 is that the police do not show the crime's files to journalists or researchers since the case remains open. Luana Parker's reporting after the heist for The [Montreal] Gazette under the headline "Art worth $2 million stolen from museum" provided the foundation for much of information about the thieves' physical description and how they stole the paintings and 39 pieces of jewelry and decorative art. Her work is footnoted in an academic article on this subject published in the Spring 2011 issue of The Journal of Art Crime. Five years ago, retired journalist Bill Bantey, the museum's director of public relations and the first official alerted to the art heist, wrote an article about the theft. In 2009, I met with Mr. Bantey and retired Montreal police officer Alain Lacoursière to piece together information about the theft. Mr. Lacoursière discussed information he recalled from working on the case in the 1990s while investigating art crime.
Here's a synopsis of my version of the art heist nicknamed "The Skylight Caper" (by columnist L. Ian MacDonald writing "Montreal this morning" for The Gazette in 1975):
The Montreal Museum of Fine Arts was robbed in the early hours of Labor Day on September 5, 1972. The city had plenty of distractions that weekend. On Friday night, three men set fire to the Blue Bird Café and Wagon Wheel killing 37 people of the 200 trapped on the supper floor of the country western bar. On Saturday night, Canada's national hockey team lost 7-3 to the "amateur" team from the Soviet Union which stunned overly confidant fans. Sunday's newspapers were filled with stories about the victims from Montreal's fatal fire, otherwise Montreal residents were looking forward to a rematch against the Russians in Toronto the next day and marking the end of a summer exposition with fireworks.
The Montreal Museum of Fine Arts, the city's most prestigious art gallery was expecting a quiet weekend. The museum's director, its head of security, and even the president of the Board of Trustees were on vacation in Mexico and the United States. The 60-year-old building housing the art collection, created through donations from some of Canada's wealthiest residents, had a skylight under repair and was scheduled to be closed for a major renovation.
Early Monday morning a man wearing "picks" on his boots (similar to equipment worn by telephone and utility repair personnel) scaled a tree outside of the building on Sherbrooke Street to reach the roof. He found a construction ladder, slipped it down to the ground for two more men to join him on top of the museum building. The three men walked over to the skylight under construction and opened it up. A plastic tarp laid down by the construction crew had de-activated the skylight's alarm. The thieves, who had a 12-pump shotgun and a .38 Smith and Wesson handgun, slid down nylon ropes at about 1.30 a.m. They ordered a security guard to lie down on the floor, when he did not move quickly enough, two shots were fired into the ceiling. Two more guards arrived and the thieves tied up the three guards. While one man watched the security guards, the other two men gathered up paintings, jewelry and other valuable portable objects. Luana Parker cites this description of the thieves from the police report:
They said they saw two long-haired men, about five feet, six inches tall, and wearing ski hoods and sports clothes. One spoke French, the other English. But they heard another French voice of a man they never saw.
The thieves planned to escape in a museum panel truck parked in the garage. However, one of the thieves "tripped the side-entry alarm on his way out with the first load, the men ran out, taking what they could" (Parker).
While Parker reported that the thieves "escaped in a panel truck", Alain Lacoursière told me that the thieves ran out of the building, carrying only half of the paintings that they had selected.
Bill Bantey, the senior museum official on duty that weekend, received a phone call from the head security guard about an hour after the thieves had escaped. He told the security guard to call the police, and then Bantey went down to the museum in the early morning hours. Ruth Jackson, a long-time museum curator, also arrived at the museum, now a crime scene, and would describe later what she saw:
There was a sea of broken frames and backings, and smashed showcases. Upstairs in the room where the major theft took place, it was just devastation. They'd cleaned it out completely.
For the second pile, they'd gone around selecting from various rooms. I shudder when I think what might have been if they hadn't opened that door ... With what they'd proposed to remove, if they'd been undisturbed -- it was just like they meant a general clear out of the museum.
Mr. Bantey organized a press conference a few hours later and released information about the stolen paintings. Only one painting was recovered a few months later.